Wednesday 26 February 2014

The Ancient World






Visual Communication




Writing was created several times in many different countries around the world, such as china, Egypt and Iraq, only to name a few. Writing mainly started out as recognisable symbols or drawings. An example of this is this stone tablet, which is believed to have been made by "the Mesopatanium city of Kish about 5,300 years ago". As you can see, there are humans heads, hands and feet carved into the stone. Obviously it is clear to see how different this is to modern day writing, however its also very understandable how and why early writing began as symbols which people could all recognise. 

























http://archure.net/neptune.html



This tablet is presented in the book:

The Emergence of Man 
The Birth of Writing
by Robert Claibourne
and the Editors of TIME-LIFE BOOKS

"Except for a foot, a hand and two heads, however, few of the symbols are recognizable, and their meanings can only be surmised. Scholars believe the foot in the lower left rectangle could mean either "go" or "come"; the profiled heads at the top could signify "man" or "slave". "


"All the writing systems ever devised have evolved from pictures-initially simple, linear drawings that represented familiar objects. "



I feel it is extremely interesting to note when man actually began to communicate with one another or at least when we believe man was mentally capable to communicate, in comparison to when the first evidence of writing was created.

The understanding i have gathered of cave paintings, is that drawings and paintings created as early as this, were almost like a way of telling stories or a way of comminicating with other human beings, before man was able to fully communicate through a common language. Cave paintings or "graphic communication" also acted as a way of aiding man in being able to record memories. Its believed these kinds of "primitive cave paintings" appeared in Europe around 30,000 B.C.

It is believed that between 10,000-40,000 years B.C. "modern man" evolved "physiological capability of speech.


The earliest known pictographic writing appears to have been created around 3500-3000 B.C. which interestingly enough, was around the same time in which it is believed Egyptians were using hieroglyphs; as this is believed to have been around 3000 B.C.



Writing is believed to have been invented by the Summerians around 3100 B.C.
There is evidence that "soon afterwards writing was reinvented nearly a thousand miles away by the Egyptians. It is likely enough that the Egyptians got the idea of writing from the Sumerians-there is archaeological evidence of contact between the two areas at this time-but the bare idea is all the Egyptians could have taken"









What i found most interesting about watching this documentary is how important the egyptian paintings and hieroglyphs on pottery and walls of buildings and tombs are, in aiding us to discover information about ancient egypt this many years on. Paintings in tombs allow us to gather what an individual may have looked like or more so information about a persons life, their hobbies, interests and occupation. 






http://www.sciencesway.info/vb/showthread.php?t=25371#.Uw4s4nna7u0


What is happening in this painting, is described by the writing on the walls around it. As you can see, the writing here seems to be completely made up of miniature drawings or symbols rather what we would probably class as 'letters'. 
Some of the pictures in hieroglyphs will have represented letters or sounds, these were called "phonograms" e.g. a mouth symbol would stand for "r".
While other small symbols actually stood for what they looked like, so for example, a picture of a sky would mean the word "sky" or "heaven". These there called "ideograms". 





Through hieroglyphs we can see the huge importance of the worshiping of gods for ancient egyptians. Tombs are covered in hieroglyphs which worship gods and pray that the deseeded in the tombs will be accepted by the gods. 



http://www.flickr.com/photos/prof_richard/4155808078/



"builder of royal tombs named Peshedu designed and constructed his own. He covered the ceiling with the Litany of Re, a religious text that celebrated the Sun God's eternal passage between heaven and the underworld."

The Emergence of Man 
The Birth of Writing
by Robert Claibourne
and the Editors of TIME-LIFE BOOKS



In many other ancient civilisations the evidence of the link between writing and worship or religion can be found. Religions such as islamic are great examples of this;




http://english.islammessage.com/ArticleDetails.aspx?articleId=1075

"While many religions have made use of figural images to convey their core convictions, Islam has instead used the shapes and sizes of words or letters. In Islam figural arts is seen as a possible implication of idolatry, and therefore early Muslims looked to the artistry of calligraphy for religious expression. In Islamic and Arabic cultures, calligraphy became highly respected as an art - the art of writing."




Here is an example of Islamic writing in the "Koran"


http://wadingacross.wordpress.com/islam/quranic-troubles/




"Muslim scribes, who were the chief instrument in disseminating the word of the prophet muhammad, delighted in ornamenting the sacred words of the koran ; they took special pride in the grace, balance and rhythm of their calligraphy. The intimate association of writing with the islamic religion gave it lofty status, so much so that there was even tradition that the qualm, or reed pen, was Gods first creation."

The Emergence of Man 
The Birth of Writing
by Robert Claibourne
and the Editors of TIME-LIFE BOOK

Wednesday 12 February 2014

17th and 18th Century Baroque



Baroque



Moving on from the renaissance leads to the 17th and 18th centuries where the reformation of protestant faith and the reformation and clean up of the Catholic faith came about.
The aim of baroque art to my understanding, was almost to deal with the battle between the protestant and catholic churches after their reformations.

Where as renaissance art tended to look at depicting the 'before' of a scene, baroque artists much preferred to capture the most dramatic point of a scene. 

"...adopted a propagandistic stance in which art was to serve as a means of extending and stimulating the public’s faith in the church."

The art was all heavily based around dramatic scenes, using dramatic rich colours with heavy contrasts aimed to provoke true feelings of  emotion for the viewer.

"...Baroque church ceilings thus dissolved in painted scenes that presented vivid views of the infinite to the observer and directed the senses toward heavenly concerns."

http://www.britannica.com/EBchecked/topic/53809/Baroque-period


Not all Baroque style paintings however were based heavily around religion, many of the famous artists who created these style paintings produced portraits of important people of that period and amazing landscape scenes. Despite this, the paintings, whether influenced by religion or not, all followed the similar criteria and style of crowded scenes, dramatic scenes and heavy, dramatic colours..



Rembrandt - 


"Unlike most Dutch artists, Rembrandt painted a wide variety of subjects - portraiture, mythology, religious scenes, history, and landscape"

"Baroque master's paintings
Portraits, biblical scenes, and historical subjects comprised many of this Baroque master's paintings. The exact imitation of form was being replaced by the suggestion of it. To some of his contemporaries his paintings began to look unfinished. It was from the Venetians that he had learned to use a brown ground so that his paintings emerged from dark to light, physically as well as spiritually."

http://www.absolutefacts.com/arts/baroque-period/rembrandt.htm



http://baroqueart.tumblr.com/

"Susanna by Rembrandt 1636"
Susanna by Rembrandt
Date: 1636


"Portrait of an elderly man by Rembrandt 1667"
Portrait of an Elderly Man by Rembrandt
Date: 1667


It is interesting to note the style of lighting used by the artist in both these paintings, you can see that in both paintings a shadow is cast down the right hand side of both subjects. something also to note here is the differences in style of painting along with the different dates. We can see here that the first painting presented is of much preciser detail in comparison to the second painting which was painting at a much later date. There is still that element of dark colours in the later painting which we can also see in the first one, however the style of the painting shows to have been painted in a much looser and less precise style.




Comparison..


Johannes Vermeer




Girl with the Pearl Earring by Johannes Vermeer
Date: circa 1665
"Girl with the pearl earring johannes vermeer 1665"



"Officer and laughing girl 1667"
http://www.tumblr.com/search/vermeer+baroque



"Girl interupted at her music 1658-61"
http://www.tumblr.com/search/vermeer+baroque



Once again in these three paintings, the choice of lighting follows that of the work by Rembrandt. We can clearly see here that again there are shadows cast down the right hand side of the subjects in the paintings. The continual use of same lighting is even more obvious in these painting by Vermeer. 
apart from the first images displayed by Rembrandt here, all the dates of the other paintings by both artists are a complete mixture, one would maybe try to assume one artist has copied another however it appears both artists seemed to be creating these paintings during overlapping times. However i does seem that Rembrandt was born almost 30 years before vermeer. The first painitng i presented in the post was apparently painted by rembrandt in 1636, this will have been just 4 years after vermeer was actually born. 

Johannes Vermeer
BornBaptized 31 October 1632
DelftDutch Republic
Died15 December 1675 

Rembrandt van Rijn
Born15 July 1606[1]
LeidenDutch Republic (nowNetherlands)
Died4 October 1669 







More religion based Baroque

http://baroqueart.tumblr.com/


The Holy Family with Saints Elizabeth, John the Baptist and Catherine by Simon Vouet
Date: 1614-1615
"The Holy Family with Saints Elizabeth, John the Baptist and Catherineby Simon Vouet
Date: 1614-1615"



Assumption of the Virgin by Peter Paul Rubens
Date: 1626
-unkown


Circumcision of Jesus by Francesco Curradi
"Circumcision of Jesus by Francesco Curradi"



To think that these paitnings were aimed to encourage religion at the time and obviously reflected the beliefes of the faith at this time, it is interesting to note the way in which all the different artists depict the holy characters in the paintings in a very similar way. using very similar almost romantic colours. the way in which cherubs are included in almost every religous paintnign here. The paintings to me portray a very fairtail, romantic-like feel to the whole idea of the protestant faith.